Category Archives: Uncategorized

Motto

I was filling out a profile for a writer-contributor site, and it asked for my “motto.” I don’t typically put things in quotes like that because I’ve seen too many students abuse the punctuation, but this request so amused me that I have to find some way to show you that my tongue is in my cheek when I say “motto.”

Mottos belong to corporations and billboards. Mottos are the over-simplified taglines of our age, a way of boiling down cheap wisdom into a pithy marketing device. I’m not sure I’ve ever known an individual who has one. Most of us have a set of principles we live by, but a motto? One sentence that sums up all the stuff of life into one focused sentence?

Maybe my incredulity is really just evidence that I’m a novel writer, not a poet. Maybe everyone has a motto, but they’re all just looking at me knowing I would muck it up with silly questions: But if this, then why that? And what about…? Maybe they’re shaking their heads at me, saying, She’s nice and all, but she’d be so much easier to understand if she just had a motto.

Of course, I see the value from a marketing perspective. And, since that’s the purpose of this profile, to market me as a writer, I figured I’d better suck it up and get one.

I wanted something about seizing the day that wasn’t too much of a Dead Poets’ Society rip-off. I adore the movie. It’s why I became a teacher. But it’s not why I write.

Carpe diem! is a bit overdone these days. And, after being in a plane crash and now working through two autoimmune disorders and spine damage, seizing the day isn’t quite enough to catch my thoughts on it. When I told my middle school students about the accident, and about the two people who lost their lives in it, and about waking up each day grateful to breathe, I told them we have no right to be bored. We have no right to waste this life. Some other mother’s child didn’t wake up today. Some other child’s mother didn’t wake up today. But we did. It’s a crime to squander life with boredom.

But that’s a bit intense. Lengthy. Complicated. Choose your adjective; none of the ones that apply are what a motto ought to be. I said, I write novels. I can give a company, or even another author who wants me to ghostwrite, a fantastic one-liner as needed, but that’s because I know them just enough. I know them only in the context of what they’re selling. I know me everywhere, and I’m still trying to figure myself out.

So I turned to the great ones at BrainyQuote.com  for help. Here’s what I found:

Boredom is the feeling that everything is a waste of time; serenity, that nothing is. – Thomas Szasz

And I uploaded it. And I even kind of liked it, until just now. I’m reading over my own blog post and realizing that Szasz has the idea, but not the passion I wanted to express. I’m realizing that what I really mean to say is what I said all by myself, at the end of that paragraph up there:

It’s a crime to squander life with boredom.

That’s it. I’m going back to my profile now to change it.

So. I have a motto. Do you?

image credit: http://www.flickr.com/photos/mujitra/2391351509/sizes/m/in/photostream/


Gatsby

Gatsby is the first best book I ever read. I’d read before then, but the books were books. Gatsby did something to me as a reader, a writer, and a human being. I’m still under its spell, 22 years after my first round with it. I took myself on a date to see the film today. Here are my thoughts, very brief, and with no spoilers, though if you’ve read the book, you know it.

The Gifts:

DiCaprio’s performance. I can’t think of many who could pull off this role, and one of the reasons I went to see it was because of this casting choice. After seeing him as Howard Hughes, I knew he could do this, and he did not disappoint.

Cary Mulligan. I didn’t know her before. I won’t forget her.

The development of Nick Carraway’s own story arc. It was still subtle, but this is the one place where the screenplay took some liberties in its faithfulness to the novel, and, in spite of slightly wooden performances from Tobey Maguire and the doctor, the concept carried well.

The use of the original book cover. Okay, so it is overused. But that’s because of its placement. It would be hard to put it where it was and not overuse it. I have mixed feelings.

The Deficits:

Pacing. The beginning rushed to get information to the audience. Daisy’s “beautiful little fool” comment comes too soon for it to be felt. Other things are like this, too. But by the middle third, pacing evens out, and it’s lovely from that point forward.

Faithfulness. Typically, we readers complain most loudly about a film’s lack of faithfulness to the book. This one worked so hard to be faithful that there were times when I felt it had constrained the strengths of its genre to the limitations of another. Films can do, show, and imply things that novels can’t, and the reverse is also true. There were moments when I really didn’t want Nick to tell me what was going on. This would be impossible in the book, but in the film, he often became an intrusion. The few moments it did stray from Nick Carraway’s POV felt false because it was otherwise so rigidly his telling of the story.

Music. I believe they were trying to do what A Knight’s Tale (movie, not Chaucer story) did with music. I believe they failed. The novel IS the voice of the jazz age. If the filmmakers were going to be faithful with anything, priority one would be the relationship between Gatsby & Daisy–which they did beautifully, and priority two would be the music. Too bad.

I’m happy to have seen it, and to have seen it in the theater. It’s too big a spectacle to see on a small screen the first time around, as it should be. It was good enough. Good Enough Gatsby.

image credit: http://www.flickr.com/photos/olivepress/9097864/sizes/o/


Reasonable Accommodations

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I don’t mean at a hotel. In teacher-speak, accommodations are those methods we use to get up underneath a challenge and make success accessible. For instance, a student with vision impairment may need materials with larger print. Without it, we’re not assessing intelligence so much as eyesight.

I graduated with my MFA on May 2, and have been using these days since to transition myself into fulltime freelancing. I do this every summer, and remembering that takes the edge off a little. This time around is not just for the summer. This time is for keeps. Long-term freelancing effectively means job-hunting for the rest of my life, or until I decide to stop freelancing. It’s a little scary.

I haven’t taken any jobs yet. I wanted to get some groundwork in order first. I started out calling this “two weeks off,” but I’ve stopped since there really hasn’t been much of a vacation about it. I’ve been taking care of things around the house that I let slide while finishing my degree, and honing in on business plans, daily schedules, health insurance options, and other such things so that once I do start, it runs smoothly.

I’ve also been assessing what kinds of accommodations I’m going to need to be successful and healthy at this. There are small, work-habit things that people don’t always talk about when starting a business, but they make a big difference in how effectively we work. For instance, when I was painting for a living, it took me quite a long time to figure out that I needed to stick with murals when I took commissions. Any time I took on easel work that I could do at home in my studio, I put it off in favor of housework or my own personal art. But when I had to go to location to paint and stay there for several hours, I got the job done quickly without sacrificing quality.

I thought I’d post my list of accommodations here in case it helps anyone else think through what kinds of accommodations would help in a freelance career.

  • Leave the house: I will leave the house at the same time every day to focus on freelance gigs. I have a membership with a local botanical garden with a sadly underused library on site. It’s about a mile from my home, so this will be my office space.
  • Get one of those cool scoopy seat things that acts as a cradle for your butt when you sit. I already have back and joint problems, and want to minimize these and maximize the time I can comfortably work.
  • Take regular stretch breaks. The great thing about working in a garden library is I have some gorgeous outdoor space where I can take a short walk.
  • Set regular work hours and do not work beyond them unless the pay is commensurate with overtime. I don’t function well when I feel I’m ignoring my family or my own personal time.
  • Set regular hours for my creative writing and treat them with the same respect that my paid writing receives.
  • Continue to meet with other writers and share work, business development, and encouragement. For me, this is weekly.
  • Strengthen relations with HD Counseling, a local holistic counseling center where I offer art and writing workshops, so that I still get my teaching fix.

I’d love to hear about any accommodations you make for yourself as a writer, either freelancing or otherwise. Please comment with your thoughts. If you’re looking for more habit-style things to consider in your own freelancing pursuits, Sara Horowitz’s book The Freelancer’s Bible offers great ideas.


Entry Point

About a year ago, Susan Henderson came to UCF to read from her novel Up From the Blue. Some of us had the chance to go to dinner with her afterwards. It was a great conversation, and I’ve mentioned her a few times since then in blog posts.

One of the things I asked her was what strategies she uses for revising a long work. That’s been one of my biggest challenges as a writer, and, ultimately, the driving motivation behind spending the last two years digging myself into debt getting an MFA. I had a handful of novels, but couldn’t figure out how to revise.

Susan said that for each pass at it, we should look for different ways to enter the text. Never enter it from the same place twice, she said.

It sounded good, but I had no idea what she meant.

She went on to say you could enter it via characters, setting, or other elements of story. Fine. Good. But still vague. It wasn’t sinking in for me.

Now that Adelle’s novel is in an intermediate draft, with all the major signposts of story in place, I’m ready to put 36 credit hours of grad education to the test. It’s time to revise. And now that I’m actually doing it for the first time since dinner with Susan, I think I’m finally getting what she was saying.

I wrote this novel differently than the previous three. With the last three, I sat down and wrote chapter one, then chapter two, and so on. Every so often, I’d move a couple scenes around, and once, on Sarah’s story, I realized I was missing a chapter and couldn’t move forward without going back and putting it in. Halfway through that one, I also started writing the end. I wrote the last chapter, then the chapter before it, and continued to work backwards on some nights and forward on others. But even with that, I was writing in order. It was from the front forward or from the end backward, but always in order.

I’ve talked a few times here about how Adelle’s memory prevented me from writing her story that way. The chapters that I tried to write in chapter form are the weakest ones. Halfway through the project, I figured out I needed to write each of Adelle’s relationships from start to finish, and then break them into scenes and intersperse them with each other. The chapters came together through a quilting process.

Now, it seems like what makes the most sense for revising is lifting those scenes from the novel and putting them back into their individual threads in separate word documents, fine-tuning or revamping them as needed. Then, I’ll reinsert them into the text, opening up room for new ones or putting them in a better sequence as needed. What Susan said is making sense now. I will be entering each revision through a different character. So far, this has been especially helpful with characters too complex for me to figure out until near the end of the project. Some of them didn’t even have threads in the first writing. They acted as satellites within other characters’ orbits. I can also lift out scenes where I need to establish place or discovery, or any other element of story, and treat them with the same process.

I’m so excited to see how it all comes together.

image credit: http://www.flickr.com/photos/joncandy/3755718285/sizes/s/


Moon Tide Words

Sometimes when I have the most to write about, I write the least.

It’s a strange thing since, like most writers, I process much of my life by straining it through an alphabet-shaped filter. But there are seasons. Gestation periods, where all the seeds of words cloister in the secret depths of soil. We need the muck and detritus. I think it’s no accident that stinky, filthy, dead stuff is the best fertilizer.

I turned in my thesis one month and five days ago, defended it three and a half weeks ago.

It was like staging a play. My part was always scenic painter: scrabbling to get the backdrop done, the director demanding new projects three hours before opening, the exhaustion slamming through me in violent waves those first three nights that I didn’t sleep, and then seeping into my pores so that my body rode a bloated tide of salt water, paint, and euphoria under the magic of gelled lights.

I haven’t worked in theater since the year 2000, and only a couple times outside of high school. But that was the feeling the week and a half before I turned in the thesis draft. Three hours of sleep a night, high on words, drugged in the truest sense–so much so that I’ve never in my life felt any curiosity about a single controlled substance–in the hopes of putting on a good show.

Coming down was hard.

I itched to keep working, but I didn’t want to lose track of the draft I’d turned in before I had to defend it. So I refrained. I wrote one blog post, mostly about all the other stuff I was going to write, and some lengthy emails, one of which is turning into a short memoir essay, and I journaled. And that’s it. And that has been it.

My defense turned out to be terrific fun. Friends and writers I love were there with me, and my committee generated a fantastic, insightful conversation about the work and what I could do with it from there.

And then, I crashed. Everything in me that I hadn’t taken care of during the weeks leading up to my thesis swelled to fill the space it left. I could sleep and not wake up for weeks if I didn’t have family and classes to attend. As it is, I sleep and wake up feeling as if I never closed my eyes, no matter how deep my dreams, no matter how many hours.

I have so much to say. So many revisions, short projects that I haven’t been able to get through while working on the novel, and, always, the next novel. But these words are in the dark depths of my earth right now, only just emerging. Tonight, I began the revisions. Just simple work. No new words. I’ve been copying and pasting related scenes into a new document to see how they flow and progress. Tomorrow, maybe I’ll copy and paste some more. Over the next weeks, sentences will grow between the ones that already exist, replacing some, merging with others. Journal entries and half-done essays will develop into more. Maybe I’ll finally blog about Carolyn Forche or Kevin McIlvoy, as promised. Maybe I won’t.

Words are my tide now, have been for many years. They are a solitary ocean, not like the collaborative hum of theater work. They crest for each of us in our own private minds, and so it is easy to forget that doldrums might follow a tsunami, that, though the tide has a rhythm, the rhythm changes according to the moon. And the moon, which sometimes hides, will always come back.

Theaters have seasons for the artists as much as for the audiences. It’s easy to forget that and become frustrated or despondent when we work in isolation. But we need space between our efforts. Too much and we go fallow, too little and we drown. But enough space, and enough faith in the work, enough commitment to rise when the moon slivers back into our skies, this is a natural order for a creative life.

image credit: http://www.flickr.com/photos/gsfc/5836921385/


My First Review

Last night, six of us who’ve been part of the UCF MFA program read works in progress at Urban Rethink in downtown Orlando.

It was great fun, ranging from personal essays about adoption and identity to goofy flashes about being a writer and a human at the same time to poems about decaying marriages and dreams of marriages.

I read an excerpt from Adelle’s story, and Poet Monica Wendel included me in her review of the reading.

Here’s the link:

http://monicawendel.tumblr.com/post/46261888046/orlando-literary-at-urban-rethink

 

If you’re interested in any of the work by the other readers in the review, you can find them at the following sites. If you’re interested in mine, I promise I’ll post everything you need to know on that fateful day when some publisher snaps it up.

Terry Ann Thaxton, The Terrible Wife: http://www.amazon.com/The-Terrible-Wife-Terry-Thaxton/dp/1844719162/ref=sr_1_1?ie=UTF8&qid=1364249681&sr=8-1&keywords=the+terrible+wife+thaxton

Jamie Poissant has been published in just about every literary magazine out there, but here’s what’s on amazon. His book The Heaven of Animals is coming soon from Simon & Schuster. http://www.amazon.com/Romantics-Inspired-Matthew-Salessess-ebook/dp/B00BYJABMI/ref=sr_1_1?s=books&ie=UTF8&qid=1364249779&sr=1-1&keywords=Jamie+Poissant#_

Vance Voyles: http://pitheadchapel.com/vance-voyles/

 

 


The Waiting Game

I am between things.

I turned in my thesis just over a week ago. I defend it next Tuesday.

As with any novel that doesn’t follow formulae, I discovered the core of the book as I finished it. It makes sense. Once you get to the core, the only place left is the denouement. There’s no sense in writing more story, just in bringing the bits of this one to a close. If you’ve already figured everything out, there’s no reason to write it down in the first place. At least, that’s my experience.

So, after working on it for a year and a half, I learned, four days before it was due, exactly what happened to cause all of my character’s grief, and how she can use that to move forward.

Four days.

Now that I know what the different veins of the novel were arcing toward, I’ve gone back to massage them into the narrative more smoothly. But four days isn’t much time to develop the little clues that I put in intuitively without knowing what they meant eight, ten, sixteen months ago. My director and I always knew it would be an intermediate draft: finished enough to defend, but not polished.

The challenge is that now I can’t polish it until the defense is done. I can work on line-level stuff, which is good because there are little errors all over. But I can’t make any content changes or I may get confused about which draft I’m defending.

I’ve also started thinking about my next project. I’ve gone through the grieving stage before when finishing a novel, and in a couple months, when Adelle’s story is polished, I want to make sure I have some new characters to hang out with so I don’t get too depressed. It’s rough when people you’ve spent about half your life with for the past couple years just don’t need you any more. I’m going to miss Adelle and the rest of the cast. I’m even going to miss De, the character who gave me such a headache back in January because I had to figure out how to care for him, even though I didn’t like him very much.

I care for De quite a bit, now. It’s one of the reasons I know the ending is right, even though it’s not the ending I expected. De makes sense in ways he couldn’t before I understood the whole story. Everyone does.

So I know what I’ll work on next. Adelle’s novel has been an exploration of the question What does it mean to lose a child? The next one will move through the question How much intimacy can a relationship stand? But I can’t start working on it now. Some writers can generate and revise at the same time, but I’m not such a multi-tasker. I need to finish out Adelle’s novel first.

It’s only a few more days, and I have a lot of blogging to catch up on. Since my last post, I’ve had some encounters with fantastic authors. I’ve met Carolyn Forche, who wrote my favorite poem, and Neil Gaiman, whose work I’ve been reading for twenty years. I’ve been able to talk to Matthew Pitt and Kevin McIlvoy, and attended a reading by Dylan Landis.

So I have a lot to write about. But no novels to work on. Not right now.

image credit: Olgierd Pstyrykotworca, ”Bus Stop,”  http://www.flickr.com/photos/olgierd/4907659565/


Liebster Blog Award

Duncan Hamilton, author of the forthcoming fantasy novel The Tattered Banner, surprised me with a Liebster nomination today. It’s a great feeling when someone reads and likes a little blog like mine enough to notice it this way. But I was also a bit confused because I hadn’t heard of the award before. I moused around with Google, looking for rules, but the best explanation came from Duncan’s blog duncanmhamilton.com. I’ve shamelessly copied his post here to use as a template, so, Duncan, if you’re reading this one, don’t be surprised when it looks a little familiar.

The rules:

  • When you receive the award, you post 11 random facts about yourself and answer the 11 questions asked by the person who nominated you.
  • Pass the award on to 11 other blogs (while making sure you notify the bloggers that you nominated them!) (Some of the Google rules say 5 – I’ll probably land somewhere in the middle with this one.)
  • You write up 11 NEW questions directed towards YOUR nominees.
  • You are not allowed to nominate the blogger who nominated your blog!
  • You paste the award picture into your blog. (You can Google the image; there are plenty of them!)

So, 11 facts.

  1. I can paint with both hands.
  2. I only like cooking when I don’t have to.
  3. I stink at following patterns. Any patterns: sewing patterns, watering my plants at the same time every day, routines in general.
  4. But I am good at noticing patterns.
  5. I mix cinnamon into my coffee grounds before brewing.
  6. My favorite foreign country is the Czech Republic.
  7. I was vegetarian for six years.
  8. I read very slowly.
  9. I didn’t settle for just one imaginary friend when I was a child. My mother says I had nine.
  10. I’m terrified of and fascinated by giant squids.
  11. I’m irritated by misused apostrophes.

The 11 questions:

  • What did you want to be when you grew up?

The Challenger blew up, so I wanted to be an astronaut. Then I got older and decided I should choose something more realistic, like counseling juvenile delinquents.

  • Dogs or cats?

Cats mostly, but dogs are okay.

  • Favourite book genre?

Post-colonialism

  • Classic or modern movies?

Modern versions of classics, or just quirky movies from any period

  • What book would you most like to see made into a movie?

The God of Small Things by Arundhati Roy

  • Dream holiday destination?

Anywhere that doesn’t require flying on a plane or being far enough out on a boat that I can’t see land.

  • Best gift you’ve ever received?

A compliment from a former art student: “You are the fairy godmother of art.”

  • What celebrity would you invite to a dinner party?

Anne Lamott

  • How long have you been blogging?

About a year at WordPress, but I blogged on a smaller scale for friends only beginning about five years ago.

  • City or countryside?

City.

  • What superpower would you most like to have?

The Perfect Mom superpower. I’m making it up, but watching my daughter grow out of me without feeling like I’d done a single thing to damage her along the way… that would be worth ten tons of flying or mind-reading.

Questions for my nominees:

  1. Name one irrational fear.
  2. Have you ever started a fire?
  3. How old were you for your first kiss?
  4. Do you dream in black and white or color?
  5. What is one food you never want to eat again?
  6. List the first three things you do every morning.
  7. What is your dream job?
  8. What’s your favorite artist or artwork?
  9. Poetry, memoir, or fiction?
  10. Short stories or novels?
  11. What age were you in your earliest memory?

My nominations:

  1. http://lostcompanion.wordpress.com/
  2. http://brianknits.com/
  3. http://www.litpark.com/blog/
  4. Clearly I need to follow more blogs. (I do follow others, but I read that this award should go to blogs with fewer than 200 followers. The ones I’ve tagged either fit this bill or don’t have a follower count posted.)

Life is Art is Life is…

A week and a half ago, I took my daughter to the emergency room. She was having some crazy neurological symptoms that turned out to be a migraine. Between worrying for her and spending five hours or so with my rather bitter ex-husband, who may or may not ever forgive me for believing him four years ago when he told me we should separate after an argument didn’t go his way, I was emotionally drained. I came home and didn’t write or grade or do anything that required the slightest hum of effort.

My schedule is so stacked this semester that it took me an entire week to recover from that one day of lost work. If I was awake, I was reading, grading, writing, planning, teaching, or driving to and from these activities. And I was awake a lot. I averaged three hours of sleep a night from Thursday to Thursday. I returned one assignment to my students late, but didn’t miss a single class, or any other deadlines.

When I finally got myself caught up, I crashed. I slept for thirteen hours, and have hardly done any work since. I’m not behind, but I need to start putting myself to the task again tonight or I will get behind. My students have their first workshop tomorrow, I have assignments due, and I have two weeks to write about fifty to sixty pages of thesis.

The extremes remind me of when I used to do this on purpose.

I’ve stopped believing there’s any such thing as a normal family. Or maybe I’ve started believing that crazy is normal, and anything remotely resembling the postcard nuclear family is an eerie warning that we’re in Stepford territory. But I was avoiding coming to terms with my own family’s version of crazy when I was in high school and early college. I’m sure now that we’re no more dysfunctional than the next house over, but admitting it is the hardest step. Instead, I enrolled in a ridiculously challenging college prep program and, later, added to that an immersive involvement in my high school theater. In college, I convinced my advisors to let me take more than the full-time load on a regular basis. One semester I took eight classes and went away for a week-long watercolor workshop in the middle of it. I made up the work for all eight classes successfully and on time.

In short, I was addicted to my work, a workaholic. I was good at it, it was interesting, and it made me feel accomplished. It also kept the crumbling mirage of normalcy at a distance: I didn’t have time to look at my brother’s violent behavior, or my parents’ stops and starts as they coped with it and each other. I didn’t have time to look at how my own view of relationships was becoming warped, or find any value in myself outside of what I could accomplish. (To be fair to my ex, since I did mention his bitterness above, I brought my own unresolved load to our marriage just like he brought his.)

I began figuring out that my relationship to my work was unhealthy during my last semester at New College before I withdrew. But it would still be many years before I learned to strike a balance between the work and my life. I would pile on and pile on and pile on because I loved the work, and then I would break under the load I had built on my own back. I’d go numb and something like catatonic. I’d hit a wall, go down depressed, whatever you want to call it. It wasn’t good. I could barely move. I shut down for routine maintenance.

I don’t do this any more, not on purpose. Ever since having my daughter Zoie, I’ve been crawling my way toward balance, and for a few years now, I’ve mostly been there. Every so often I take on too much. More likely, though, when commitments are bigger than me, it has to do with things outside my control.

This semester, for instance. Until now, I’ve managed to have only one night away from my daughter for class in the MFA program. I scheduled around her, and if I had to be on campus more than one weeknight, the second one was on Thursday when she’s with her dad anyway. This semester is my last, so I didn’t have as much choice when registering. I had to fulfill particular requirements, and am now away from her for two nights. My teaching assignment has shifted from two days a week to five days a week due to funding issues. And then there are the circumstances: Zoie’s ER visit, car trouble, and life in general. The impossibility is not one that I sought this time. It’s what has been handed to me.

I’m grateful for the practice I’ve had; I think I might not make it through the program on time without it. But I don’t want to avoid my family any more. Once you accept that we’re all a little off, there’s nothing to fear. I adore my daughter and am madly in love with my partner. I need them like breath. I want them. When I don’t have enough time with them, I feel hollow. When I don’t have enough time with myself, I feel lonely. In the way that an extrovert would miss people, I miss sitting alone and thinking, or painting.

I’m gearing up to go back to work. I should have begun an hour and ten minutes ago. This post is an attempt to transition back in since I can’t focus right now.  I’ve had four days off (if you count days when I only teach, write quizzes, and hold extended office hours as off; if not, I’ve had one day off). And I still love my work. But after fighting so hard to learn to put it down and live, and pick it up again in moderation, it’s hard to bookend myself in these extremes. Once I start, it will be another marathon until Wednesday, not because I’ve put things off. I haven’t. It’s because my schedule demands it, a schedule I didn’t write.

The extremes are unsettling. They remind me of what I am not anymore, of what I don’t want to be again. But I suppose this has its benefits: I know for certain that I am not sick enough to want to live like this. I can do it for a couple months to finish my program. And I can let it act as a warning as I come out of the program and back into the world where I have to find employment again. I do not have to choose this.

image credit: http://www.flickr.com/photos/mad_mod_vintage/6369680607/sizes/s/


The Beginning of the End. Again.

Today was the first day of the last semester of my MFA program.

This degree and blog have been my way of grabbing life at the helm and turning toward new waters. I’ve shifted direction before; we all have. The ends of our childhood bring on our teen years; finishing high school is the beginning of adult responsibility.

I am about to embark on my third career. I began as a visual artist and part-time teacher. After injuries ended my art career, I became a full-time teacher and part-time artist. Through all of it, I have written on the sly.

I will always teach. I will always paint.

But I have made a decision. I’m going to play Don Quixote one more time and chase after impossible dreams. I’m gearing up to write full-time.

I know this will mean beginning at the beginning one more time. In the arts, any arts, one of the greatest challenges is that there is no predetermined path. If you’re going to be a doctor, you go through college, med school, internship, residency, and there you have it. Paths deviate according to specializations, but the paths are laid and clearly marked. If you’re going to make your living painting or putting words together, it’s more like a jungle with a maze of haphazard paths running through it. You can hop on one of them, but it may lead you into tall grasses or deadend at the river or intersect like a spiderweb with a hundred other paths. Figuring out how to go from start to established is not so simple because you aren’t just following the road. You’re evaluating, choosing, remaking, and going beyond the road all the time.

I am at start again. Not the first square on the board, as I do have some work out there. But most of it is articles, and what I love to write is novels.

One of the things we don’t often see as writers, or artists of any kind, is the process of other writers. We see the products. We study published works, but rarely see early drafts. We learn from professors and published authors, but rarely get to watch the journey that got them so much further along than we are. We may hear about it later, in their books about writing or stories about how they came to realize they love teaching. But we don’t get the present tense experience of the insecurities, the pitfalls, the early gains, the backtracking. We get the nice, neat end result.

My hopes for this blog are becoming more defined as my journey on the paved and predictable path of the MFA program comes to an end. I hope to eventually report to you that my novel(s) are coming into print. But until then, I open up the journey to you here. Maybe I’ll come to the place where I can live as a full-time novelist and maybe I won’t. But there are too few opportunities for emerging writers to see what the path might look like in either case.

I will keep writing the blog along the way. There may be long stretches between posts as I finish up this semester. But when the degree is over, and the career begins, I will continue to share my progress here. I hope that the mistakes I’m bound to make and tricks I come to discover will make the path a little less intimidating for others blazing through the jungle with me.

image credit: http://www.flickr.com/photos/helios89/1468995258/in/photostream/


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